In anticipation of his new double disc coming out on the 16th, tonight, a bit later than usual, admittedly, we have Brad Mehldau & his trio interpreting Radiohead. Some purists out there, or maybe just those way too cool for school, may object to the ‘intrusion’ of pop music into their sometimes-overly-fetishized artform, be it a depressing rock bands or depressing folk singers (Nick Drake’s ‘River Man’, for example, weirdly, has become something of a new jazz standard), but I have no problems with it at all. If you’re amongst the purists, you’ve been warned.

Sunday, March 14, 2010 at 4:45 am
I was just listening to ok computer the other day, and remembered how good radiohead are. These are lovely clips.
Sunday, March 14, 2010 at 11:07 am
For me, the most enduring Radiohead album is Kid A, though I’ve really warmed to In Rainbows much more than I would’ve ever expected.
Mehldau has a lot of other great stuff, too — though my whole knowledge of him comes from Brad’s old “Friday Jazz” posts on The Weblog.
Sunday, March 14, 2010 at 3:06 pm
If you happen to live in the Bay Area, I would highly recommend you check out Mehlday & co. when they hit Yoshi’s in early April. It’s a great, intimate venue for seeing him live.
Sunday, March 14, 2010 at 5:23 pm
The pianist Christopher O’reily has put out two records of Radiohead interpretations which are really great, although the second record seems something of an afterthought to the first. His interpretation of “Let Down” is simply brilliant.
Monday, March 15, 2010 at 7:19 pm
Adam,
Much as I love Kid A, give Amnesiac another spin. I did and I was vastly impressed by it. Rather than being Kid A offcuts I’m increasingly convinced it is the better album. There is a point to this related to the post: it is also Radiohead’s most jazz influenced record, see in particular the closing song Life In A Glasshouse.
Wednesday, March 17, 2010 at 2:38 pm
I’m not really sold on Christian Scott’s cover of Thom York’s “Eraser,” but it’s worth noting at least.