The dystopian vision of high school

Gerry Canavan has linked to a nice article on why Americans’ high school years seem to shape them so disproportionately. It’s worth a read, though I think it might still lean a bit toward the more sensationalistic and dystopian vision of high school that American culture fetishizes.

I recognize that the experience can be very difficult and even traumatic for some people, particularly those with non-normative sexual identities. Yet these dystopias are not about people with such obvious “problems” — they are precisely about what the culture at large regards as “normal” people. And this of course means mostly white people: all the mainstream cultural fantasies related to the black or Hispanic high school experience are fantasies of a white teacher swooping in to save them, and this includes even The Wire.

If those of us who are broadly “normal” look back honestly on our high school years, I imagine that most of us would find that it looks more like Freaks and Geeks or My So-Called Life than like the “classical” pop-culture high school with its clearly-defined groups, its ruthless status competitions, etc. — a time characterized above all by confusion and unusually intense emotions. What does it say, though, that those shows, universally regarded as truer and more realistic than standard high school fare, were lucky to make it through a single season?

In other words: Why is our cultural fantasy one that puts forward high school as a non-stop reality TV show? Read the rest of this entry »

A proposed variation on the theme of the workaholic dad who doesn’t understand the true spirit of Christmas

Over my visit home for Christmas, I saw snippets of several movies focusing on the theme of the workaholic dad who doesn’t understand the true spirit of Christmas. One widely-known example is Jingle All the Way, in which the former governor or California [sic] stars as a father seeking to find the hottest toy of the season on Christmas Eve, having shirked his duty to buy it earlier. The movie opens with him making sales calls and missing his son’s karate event as a result — simply part of a broader pattern, we are meant to understand. I didn’t wind up seeing the ending, but I assume that Arnold was ultimately made to submit to the totalitarian demands of Christmas.

What I’d like to see is a movie in which workaholic dad sits his son down and says, “You know what? I’m not really interested in your karate thing or what specific toy you’ve decided you want for Christmas. Read the rest of this entry »

What is called creepy?

The experience of creepiness is, at its most fundamental, the experience of an excessive, asymmetrical demand — someone is demanding something of us that we cannot and do not want to reciprocate.

The privileged field of creepiness is of course sexuality. Read the rest of this entry »

A Rereading of Kotsko’s Pop Culture Writings

A couple years ago, I wrote a piece called On Male Culture, wherein I proposed that one of the best things men could do as feminist allies was to become internal critics of male culture. As I have taught feminist texts this semester in my social sciences class, it increasingly strikes me how much awkwardness vs. sociopathy maps onto typical ways of talking about women’s way of relating vs. men’s — relationality vs. hierarchy, connection vs. separation, etc. — as well as onto queer theoretical notions of straight male identity as defined by its very unattainability and its continual vulnerability (hence making the identification with the overwhelmingly male “fantasy sociapath” a perpetual temptation).

From this perspective, the fact that I wrote Awkwardness using all male examples (most controversially, Judd Apatow films) seems to make more sense. Read the rest of this entry »

The Lesser Evil and the Eternal Irony of the Community: Or, Cable Dramas Urge You to Vote Democrat

[Note: This post talks about plot points in a television show you might be meaning to watch!!!]

Boardwalk Empire may turn out to be the last child of the classical era of the “high-quality cable drama.” Like Mad Men, it is a descendant of The Sopranos with an eye for period authenticity. Unlike Mad Men, however, Boardwalk Empire is just coming into its own — the ending of the last season announced a new ambition and daring, and the current season seems on pace to fulfill that promise.

Nevertheless, there are limits to the creative possibilities in a “high-quality cable drama,” particularly one saddled with the genre conventions of a mafia story. Read the rest of this entry »

Italian interview over Why We Love Sociopaths

I was recently interviewed for the Italian journal Studio by Anna Momigliano, who talked with me about Why We Love Sociopaths. (It is in Italian, but was conducted in English.)

Tony Soprano’s coma dream

My post yesterday about last seasons of “auteur” shows reminded me of something that’s bothered me for a long time: what’s the deal with Tony’s multi-episode dream when he’s in the coma in the first half of season 6? Feel free to castigate me in comments if you all had it figured out already, but it occurs to me that it’s the clearest possible example of a “meta” statement that detracts from the actual narrative — the sole function is to say that if we (the audience) dream of being Tony Soprano, his deepest dream is to be one of us.

This fits well with the theory that The Last Psychiatrist proposed as an alternative to my sociopath thesis: if what is appealing about Tony is his absolute and unshakeable self-identity, his radical self-consistency, his fantasy is to be a bumbling awkward guy who somehow fails to match up with his publicly recognized identity. From another perspective, if the men watching wish they could have constant access to casual sex like Tony does, Tony wishes he was the kind of guy who just couldn’t bring himself to betray his wife even in the most favorable possible circumstances.

Again, I’m sure my astute readers had already figured that out. If so, consider this a Sopranos open thread.

Follow

Get every new post delivered to your Inbox.

Join 3,218 other followers