InterCcECT presents Casablanca Retro: Colonial Photography, History, and Memory in Postcolonial Morocco

Through what processes of mediation, under what circumstances, down which paths of struggle, can colonialist iconography be appropriated for anti-colonial nationalism? What are the wages of the image for the work of sovereignty? Is photography trans-contextual?

InterCcECT is delighted to present Casablanca Retro: Colonial Photography, History and Memory in Postcolonial Morocco, a talk by Patricia Goldsworthy Bishop. Join us Thursday, 5 November, 7pm, at the arts & events space of our partners Sector 2237,2337 N Milwaukee Ave (Blue Line: California).

Talk Abstract:

Throughout the colonial era photographers such as Marcelin Flandrin, an Algerian pied-noir who settled in Morocco at the establishment of the protectorate, collaborated with the government and tourism boards to construct a European vision of North African society and history. Known as the photographer of Casablanca because of his heavy involvement with the Protectorate government, after independence Flandrin’s work was criticized for reproducing Orientalist stereotypes and supporting the colonizing mission. Since the 1980s, however, Moroccan cultural, educational, and financial institutions have reinterpreted Flandrin’s images in order to resituate the protectorate as a part of Moroccan, rather than French, history. This talk traces Flandrin’s transformation from an archetypal French colonial photographer to a part of Moroccan heritage through an analysis of Flandrin’s 1928 and 1956 publications on photographs of the city of Casablanca (Casablanca from 1889 to the Present) and their subsequent reprinting by Moroccan scholars in 1988 (Casablanca Retro). Through the reinterpretation of these images and the appropriation of Flandrin by Moroccans, we can see the process of writing, resisting, and revising history and the instrumental role played by imagery in this process in colonial and post-colonial Morocco.

To propose or announce events, contact us at intercecct @ gmail, or find us on Facebook.

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revisiting Cartographies of the Absolute: a lecture by Alberto Toscano and Jeff Kinkle

What must a map of the world depict?  What aesthetic forms can “map” late capitalism, critically disclosing its dynamics and its totalizations?  What is the difference, aesthetically and politically, between a representation of capital and a representation of class antagonism?
InterCcECT is delighted to partner with Gallery 400 for a special lecture by visiting scholars Alberto Toscano and Jeff Kinkle, authors of Cartographies of the Absolute.  Revisiting and revising the themes in their book, Toscano & Kinkle will discuss arts of capitalism and arts of the state.

May we suggest Cartographies in the Los Angeles Review of Books?

Wednesday 2 September, 6:00pm
Gallery 400 Lecture Room
400 S Peoria St

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tear it down: The Undercommons

Amidst growing protests against systemic and state-administered premature death, and beyond #hashtagactivism, calls for a new black radicalism are resounding.  In The Undercommons: Fugitive Planning and Black Study, Stefano Harney and Fred Moten advocate for “the undercommons” as a subject of such radicalism, “the prophetic organization that works for the red and black abolition…not so much the abolition of prisons but the abolition of a society that could have prisons, that could have slavery, that couple have the wage, and therefore not abolition as the elimination of anything but abolition as the founding of a new society.”

Join InterCcECT for a reading group on The UnderCommons, chapters 0-6, on Thursday 9 July, 4pm (purchase the text or follow the link to a free version made available by the publisher).

VENUE CHANGE: La Haven Coffee, 1241 S Michigan.  (Roosevelt Station)

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InterCcECT: The Order of Things

Our session on Foucault’s The Order of Things proved rousing; we’re going to continue with chapters 4 and 5 (“Speaking”; “Classifying”).  Join us again next Monday, 8 June, at 4pm, at Moody’s Pub (in the garden, weather permitting).  As always, InterCcECT welcomes proposals for summer projects; find us on Facebook or send us an email.

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words and things

After his critique of the clinic, and as a prolegomena to his theory of power, Michel Foucault outlined a distinct regime of knowledge that pivoted upon a new concept of “representation” – a Kantian sense of the limits of mental representations and the promise of formal representations.  Modern knowledge, for the archaeological Foucault of Les Mots et Les Choses (translated as The Order of Things), is distinguished not only by its representational ethos, but by its agency in generating and congealing worldly relations: once words are thinkable as representation rather than as coincident with things, “discourse” is thinkable as a force of ordering things.

InterCcECT kicks off summer with a multi-session reading group on this crucial moment in Foucault’s thought.  Join us Monday June 1st at 4pm, in the garden at Moody’s Pub (red line: Thorndale).  We’ll be starting with the first three chapters from Part 1 of The Order of Things (Las Meninas, The Prose of the World, & Representing).  Contact us for the readings.

What are your summer ambitions?  As always, we welcome proposals and initiatives for events ranging from reading groups to field trips, works-in-progress sessions to pub afternoons.

In our sights:

Elizabeth Grosz, Nietzsche and Amor Fati May 6

Lee Edelman, with Lauren Berlant and Michelle Wright, May 7 & 8

Elizabeth Grosz, Deleuze and the Plane of Immanence May 8

Jon McKenzie, Remaking the Liberal Arts, May 12

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Expelling the Demos

If dramatic inequality and profound immiseration are the phenomenological appearance of the manifold contemporary economic technologies for extracting surplus value and enacting surplus populations, these ever more primitive accumulations require thinking beyond the usual terms of “injustice” and “poverty.”  Saskia Sassen has recently proposed the paradigm of “expulsion” to understand today’s plutocratic brutality. In the domain of politics, Wendy Brown has similarly suggested that “the demos” has been expelled from democracy.  What are the interrelations of these dynamics?  InterCcECT is delighted to host a mini-seminar on these questions with Professor Ignacio Sanchez Prado, who will guide us through the first chapters of Undoing the Demos: Neoliberalism’s Stealth Revolution and Expulsions: Brutality and Complexity in the Global Economy.

4pm, 4 May, Institute for the Humanities, UIC

request readings from interccect at gmail dot com

While he’s in town, Professor Sanchez Prado will also give a talk at the University of Chicago on 5 May, “The Golden Age Otherwise: Cosmopolitanism and Mexican Cinema, circa 1950”

“Poor Sovereignty” an InterCcECT workshop with Arne De Boever

Sovereign aesthetics, aesthetics of sovereignty, the power of the image, the poverty of the image, the state of exception, the real exception to the image –Arne De Boever’s new work on art history’s contribution to the philosophy of sovereignty invigorates and severs the too easily assumed connections between Walter Benjamin and Susan Sontag that organize contemporary discourses of image politics. Join us for a workshop with Professor De Boever Tuesday 17 March, 5pm, generously hosted by our collaborator Gallery 400. Reading circulated in advance; request it here.

Arne’s abstract:
This article deals with the afterlife of Walter Benjamin’s comments on the state of exception—specifically, his distinction between the state of exception and what he calls a “real” state of exception that would dismantle the former–in Susan Sontag and Hito Steyerl’s theories of the image. It argues, first, that Sontag’s theory of the image, while conceived in Benjamin’s wake, insists on the reality of an outside-image that always risks to create new states of exception. While Steyerl, also working after Benjamin, goes a long way towards dismantling this risk, she too recreates it in her casting of the unreal people in spam images as those who will do the dirty work of imaging for us so that we, the real people, can withdraw from representation. This logic of substitution, which does not change what Steyerl in her work diagnoses as the “exceptional” conditions of contemporary imaging, does not succeed in bringing about the real state of exception that Benjamin called for. For this, the logic of substitution would need to be abandoned. Benjamin himself suggested this in his discussion of strike in his essay “Critique of Violence”. After the strike, Benjamin argues, it is us—i.e., not someone else—who go back to work. But the work has been “wholly transformed”.

Be on the lookout for another Rancière session soon; as always, drop us a line to propose events; and for now, here’s what’s
on our calendar:
2 March, Atmospheres
3 March, Charles Palermo,Photography and Modernism
5 March, Adam Kotsko, Creepiness
5-8 March, Narrative theory conference in Chicago

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