Michael Naas’s Miracle and Machine is a book worthy of Derrida, combining rigor and playfulness, near-obsessive scholarliness with bold experimentation. It is a literary reading of the most literary of the philosophers, and is itself a beautifully written book, exhibiting Naas’s resolutely “American” style—and connecting it to the American context via the unexpected comparison with Don DeLillo’s Underworld. One hopes that it marks a new direction in Derrida studies, with its focus on working through one text (“Faith and Knowledge”) and learning from that text how to read Derrida.
In this post, I’d like to limit myself to some observations on the way the book intervenes indirectly in three fields: the debate over Derrida’s relationship to religion, contemporary continental philosophy of religion, and the reading of Derrida as such. These remarks are not meant to be authoritative or exhaustive, but to open up some avenues of conversation.